My Ideal Girl Must Be A Go-Getter – Adekunle Gold

Singer Adekunle Gold, needs little or no introduction in the entertainment industry.

The SHADE crooner, opened up on his deal with YBNL, his ideal girl and of course his music, during an interview with Sunday Scoop. On his music: “It is my personal resolve to keep making clean music. I am not under any pressure whatsoever to change the type of lyrics I sing. I like to pass across messages with my songs. Music is supposed to be a vehicle for social change. If you notice, my songs often dwell on topical issues that people can relate with and learn from. A true hit song is one that people can still enjoy many years after it was recorded. But some songs that were released just last year are no longer relevant or appealing, and that is because they are shallow and not in tune with the times,” he said.On his love for African print:

“I am a proud African and it’s up to me to showcase my culture and let people know more good things about the continent. Whenever I travel, foreigners admire my outfit and some of them even request for the type. It is the way we treat our things that outsiders would also perceive it. I want to implore everyone to give priority to our local products.”

 On how he met YBNL boss, Olamide: “I met Olamide when I was called upon to design the YBNL logo. I also did some other works for members of the label. After I sang Sade, Olamide heard it and liked it, so we had a discussion and he offered me a deal. I gladly accepted.”On his type of woman he likes, Adekunle said.

 “My ideal girl is someone who is a go-getter. She must know what she wants and be prepared to work for it. I don’t like people who are too laid-back and don’t even have plans for their lives.”

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Wizkid Replys Davido For Calling Himself The Industry Legend

What is happening to our Artistes?

Few days after Davido declares himself a Legend, Wizkid is here Spitting rubbish Read what Davido said below:-

 “F*ck It, I’m A Legend In This Industry – Davido Declares | But Wait O! His He Ripe Enough To Be Called A Legend?“

 Wizkid is about to show you all who the real Starboy is after the singer hinted that he already has an album waiting. Wizzy, who just returned to his home country, Nigeria bragged on Twitter about hitting the studio and recording enough songs to make an album in just two days. While the Starboy’s latest offering, “Sound From The Other Side” is coasting on music charts globally, Wizzy hinted his fans that another album might not be far away.

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IMMEDIATE PAST FUTASUG PRESIDENT "POPE JERO" WALKED OUT OF AN INTERVIEW SESSION WHEN HE WAS ASK TO REACT ON THIS PRESENT FUTASUG'S ADMINISTRATION

 The Interview Started Around 3.00pm, Yesterday Monday 6th of March 2017 @Abiola Common Room With Futa life Magazine Crew.


PLEASE INTRODUCE YOURSELF AND Your INITIAL PORFOLIO:

 My name is Fowobaje Oluwaseun Gboyega Popularly address as Pope jero. I was the Pro 2 of Nisomes 2013/2014, I was Also privilege to represent the dept of mining Engineering dept at the level of students Representative Council, Futasug 2014/2015
In 2015/2016 under Vox populi Vox dei I served as the students Union President of Futasug


WHAT GAVE YOU THE DRIVE TO CONTEST:

I came in through PDS and I was privilege to see all the political atmosphere during the electioneering Process that brought in our Late president Awopegba Dapo Popularly addressed as DPO . I love it. I know if I have to make some fundamental change I have to be given the privilege to showcase the stuffs am made of up.
"You can travel within and stand still without "


HOW Do YOU COMBINE YOUR ACADEMICS WITH YOUR POLITICAL CARRIER :

IT has not been easy, it really affect my academics though I wasn't the bookworm type I have many things on my head. but I have made a tough decision long time ago, I am still making It.
"I believe tough time doesn't last but tough people do "


WHAT ARE THE CHALLENGES YOU FACED :

 The challenges i experienced is not what I can really discuss in this interview but I believe Shakespeare once said" uneasy lies the head that wears d crown  "
Synchronizing different ideologies to achieve a common goal was not an easy task .
I can't go a day without a story to tell but God has been our strength.
" Challenges are there to make us Stronger"


WHAT ARE YOUR ACHIEVEMENTS:

It might not be too interesting for me to be mentioning our collective achievements alone. It was a collectively struggle. I really enjoyed the support of the students I always feel nothing is impossible to achieve and that was what I wrote on my table.
Just like what Ronaldo said when he was asked if he's the best player in the world and he said the numbers are there to show.
I have never find myself as the best, I still respect the days of REVO,OLUBANTY, X-RAY D LOVE Etc .
 I read and met their antecedents. They really had a great landmark in Futasug. They've paid some prices on how behalf.
Those who were Privilege to experience the administration knew what we stood for, we can't be perfect because we are human beings. Our "Antecedents will also follow us like a shadow."


WHAT ARE THE  THE THINGS YOU FELT YOU WERE UNABLE TO DO :

 12 months is too small to do everything.
I had a great vision for Futasug Restoring and Rebranding the Power of unionism.
Reducing the off campus house rent was what I couldn't Finish after signing several documents on behalf of the Entire Students staying off campus. The rate of extortion was too much. But I couldn't complete the mission. It was hell out of hell. Some stories will be reserved for another day on earth.

Also rearranging the Aluta market was part of what I wish I could do but the time frame was too short we couldn't do all.

DO YOU THINK IF YOU ARE PRIVILEGE TO CONTEST AGAIN, WILL PEOPLE VOTE YOU IN :
 
Lol...
When Lionel Messi was asked if he was the best footballer on earth . He's reply was "let the fans decided."
MY hope is in the hand of God and the people. They are there to decide.


WHAT DO YOU HAVE TO SAY ABOUT THIS PRESENT ADMINISTRATION :

He Stood Up And Walk Away..................

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GRAMMYs AWARD 2017 - Winners Full List

Album of the Year 25, Adele Adele

Record of the Year “Hello,” Adele

Song of the Year “Hello,” Adele and Greg Kurstin Kurstin

Best New Artist Chance the Rapper Rapper

Best Pop Vocal Album 25, Adele Adele

Best Traditional Pop Vocal Album Summertime: Willie Nelson Sings Gershwin, Willie Nelson

Best Pop Solo Performance “Hello,” Adele Adele

Best Pop Duo/Group Performance “Stressed Out,” Twenty One Pilots Pilots

Best Country Album A Sailor's Guide to Earth, Sturgill Simpson

Best Country Solo Performance “My Church,” Maren Morris

Best Country Duo/Group Performance “Jolene” [ft. Dolly Parton], Pentatonix Pentatonix

Best Country Song “Humble and Kind,” Lori McKenna, songwriter (Tim McGraw)

Best Rock Album Tell Me I'm Pretty, Cage the Elephant

Best Rock Song “Blackstar,” David Bowie Bowie

Best Rock Performance “Blackstar,” David Bowie Bowie

Best Alternative Music Album Blackstar, David Bowie Bowie

Best Metal Performance “Dystopia,” Megadeth Megadeth

Best Urban Contemporary Album Lemonade, Beyoncé Beyoncé

Best Rap Album Coloring Book, Chance the Rapper Rapper

Best Rap Song “Hotline Bling,” Aubrey Graham & Paul Jefferies, songwriters (Drake)

Best Rap Performance “No Problem,” Chance the Rapper [ft. Lil Wayne & 2 Chainz]

Best Rap/Sung Performance “Hotline Bling,” Drake

Best R&B Album Lalah Hathaway Live, Lalah Hathaway

Best R&B Song “Lake By the Ocean,” Hod David & Musze, songwriters (Maxwell)

Best R&B Performance “Cranes in the Sky,” Solange

Best Traditional R&B Performance “Angel,” Lalah Hathaway

Best Comedy Album Talking for Clapping, Patton Oswalt Oswalt

Best Spoken Word Album In Such Good Company: Eleven Years of Laughter, Mayhem, and Fun in the Sandbox, Carol Burnett

Best Folk Album Undercurrent, Sarah Jarosz

Best Americana Album This Is Where I Live, William Bell

Best American Roots Song “Kid Sister,” Vince Gill, songwriter (The Time Jumpers)

Best American Roots Performance “House of Mercy,” Sarah Jarosz

Best Regional Roots Music Album E Walea, Kalani Pe'a

Best Bluegrass Album Coming Home, O'Connor Band With Mark O'Connor

Best Reggae Album Ziggy Marley, Ziggy Marley

Best Surround Sound Album Dutilleux: Sur La Même Accord; Les Citations; Mystère de L'instant & Timbres, Espace, Mouvement, Alexander Lipay & Dmitriy Lipay, surround mix engineers; Dmitriy Lipay, surround mastering engineer; Dmitriy Lipay, surround producer (Ludovic Morlot & Seattle Symphony)

Best Traditional Blues Album Porcupine Meat, Bobby Rush

Best Contemporary Blues Album The Last Days of Oakland, Fantastic Negrito

Best Contemporary Instrumental Album Culcha Vulcha, Snarky Puppy

Best Dance Recording “Don't Let Me Down” [ft. Daya], The Chainsmokers

Best Dance/Electronic Album Skin, Flume

Best New Age Album White Sun II, White Sun

Best Improvised Jazz Solo “I'm So Lonesome I Could Cry,” John Scofield, soloist

Best Jazz Vocal Album Take Me to the Alley, Gregory Porter

Best Jazz Instrumental Album Country for Old Men, John Scofield

Best Large Jazz Ensemble Album Presidential Suite: Eight Variations on Freedom, Ted Nash Big Band

Best Latin Jazz Album Tribute to Irakere: Live in Marciac, Chucho Valdés

Best Gospel Performance/Song “God Provides,” Tamela Mann; Kirk Franklin, songwriter

Best Contemporary Christian Music Performance/Song “Thy Will,” Hillary Scott & the Scott Family; Bernie Herms, Hillary Scott & Emily Weisband, songwriters

Best Gospel Album Losing My Religion, Kirk Franklin

Best Contemporary Christian Music Album Love Remains, Hillary Scott & the Scott Family

Best Roots Gospel Album Hymns, Joey+Rory

Best Latin Pop Album Un Besito Mas, Jesse & Joy

Best Latin Rock, Urban or Alternative Album iLevitable, iLe

Best Regional Mexican Music Album Un Azteca En El Azteca, Vol. 1 (En Vivo), Vicente Fernández

Best Tropical Latin Album Donde Están?, Jose Lugo & Guasábara Combo

Best World Music Album Sing Me Home, Yo-Yo Ma & the Silk Road Ensemble

Best Children's Album Infinity Plus One, Secret Agent 23 Skidoo

Best Historical Album The Cutting Edge 1965-1966: The Bootleg Series, Vol. 12 (Collector's Edition), Steve Berkowitz & Jeff Rosen, compilation producers; Mark Wilder, mastering engineer (Bob Dylan)

Best Instrumental Composition ”Spoken at Midnight,” Ted Nash, composer (Ted Nash Big Band)

Best Arrangement, Instrumental or A Cappella “You and I,” Jacob Collier, arranger (Jacob Collier)

Best Arrangement, Instruments and Vocals “Flintstones,” Jacob Collier, arranger (Jacob Collier)

Best Recording Package Blackstar, Jonathan Barnbrook, art director (David Bowie)

Best Boxed or Special Limited Edition Package Edith Piaf 1915-2015, Gérard Lo Monaco, art director (Edith Piaf)

Best Album Notes Sissle and Blake Sing Shuffle Along, Ken Bloom & Richard Carlin, album notes writers (Eubie Blake & Noble Sissle)

Best Remixed Recording “Tearing Me Up (RAC Remix),” André Allen Anjos, remixer (Bob Moses)

Best Engineered Album: Classical Corigliano: The Ghosts of Versailles, Mark Donahue, Fred Vogler & David L Williams, engineers (James Conlon, Guanqun Yu, Joshua Guerrero, Patricia Racette, Christopher Maltman, Lucy Schaufer, Lucas Meachem, LA Opera Chorus & Orchestra)

Best Engineered Album: Non-Classical Blackstar, David Bowie, Tom Elmhirst, Kevin Killen & Tony Visconti, engineers; Joe LaPorta, mastering engineer (David Bowie)

Producer of the Year, Non-Classical Greg Kurstin

Producer of the Year: Classical David Frost

Best Orchestral Performance Shostakovich: Under Stalin's Shadow - Symphonies Nos. 5, 8 & 9, Andris Nelsons, conductor (Boston Symphony Orchestra) 📀Best Opera Recording Corigliano: The Ghosts Of Versailles, James Conlon, conductor; Joshua Guerrero, Christopher Maltman, Lucas Meachem, Patricia Racette, Lucy Schaufer & Guanqun Yu; Blanton Alspaugh, producer (LA Opera Orchestra; LA Opera Chorus)

Best Choral Performance Penderecki Conducts Penderecki, Volume 1, Krzysztof Penderecki, conductor; Henryk Wojnarowski, choir director (Nikolay Didenko, Agnieszka Rehlis & Johanna Rusanen; Warsaw Philharmonic Orchestra; Warsaw Philharmonic Choir)

Best Chamber Music/Small Ensemble Performance Steve Reich

Best Classical Instrumental Solo Daugherty: Tales Of Hemingway, Zuill Bailey; Giancarlo Guerrero, conductor (Nashville Symphony)

Best Classical Solo Vocal Album Schmann & Berg (tie), Dorothea Röschmann; Mitsuko Uchida, accompanist

Shakespeare Songs (tie), Ian Bostridge; Antonio Pappano, accompanist (Michael Collins, Elizabeth Kenny, Lawrence Power & Adam Walker)

Best Classical Compendium Daugherty: Tales Of Hemingway; American Gothic; Once Upon A Castle, Giancarlo Guerrero, conductor; Tim Handley, producer

Best Music Video “Formation,” Beyoncé

Best Music Film The Beatles: Eight Days a Week the Touring Years, The Beatles

Best Song Written for Visual Media Track from Trolls - “Can't Stop the Feeling!,” Max Martin, Shellback & Justin Timberlake, songwriters (Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse & Kunal Nayyar)

Best Score Soundtrack for Visual Media Star Wars: The Force Awakens, John Williams, composer

Best Compilation Soundtrack for Visual Media Miles Ahead, Miles Davis & Various Artists; Steve Berkowitz, Don Cheadle & Robert Glasper, compilation producers 📀Best Musical Theater Album The Color Purple, Danielle Brooks, Cynthia Erivo & Jennifer Hudson, principal soloists; Stephen Bray, Van Dean, Frank Filipetti, Roy Furman, Joan Raffe, Scott Sanders & Jhett Tolentino, producers (Stephen Bray, Brenda Russell & Allee Willis, composers/lyricists)

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Bobrisky’s Real Face Without Snapchat Filters Revealed (Too Rough)

Bobrisky

 The world is now advanced that there are many ways people cover blemishes and uneven skin on their face so they could look better. Aside makeup that gives total face cover, there is also snap chat filter that fine tune the face to look prettier than usual.

 Self-acclaim king of snap chat, Bobrisky has been fooling many who really thought he actually has a good skin like he made many to believe.

But then, nothing can really be hidden forever as his real face has been exposed. He has been using snap chat filter to look better.

See some of her Photos without Snapchat Filter below:-

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Massive Turn up Was Recorded At Fresher's O.T Part1 View Amazing Pictures

Lots Of Fresher's were happy to be at this great event

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Top Radio And TV Personality "Adenike Oyetunde" Blast Olamide Writes An Open Letter Over His Annual Concert #OLIC 3 [Must Read]

Radio and TV Personality Adenike Oyetunde has written an open letter to Olamide about his much talked about Olamide Live In Concert Show – OLIC. Read below:

 “Dear Olamide, what HAPPENED? What!!! I attended #Olic2 and without a doubt, it was by far my BEST event last year. I talked, and talked about it; everyone around me that didn’t go, knew they had to this year. Imagine my excitement when I saw these pictures by TyBello, I knew #Olic3 was definitely going to be a hit.

I needed to see ‘Olamide Live In Concert’ *coughs. In my life, not even at either Canaanland or Redemption Camp had I EVER been stuck in such traffic. No clear plans on controlling humans (forget that we are peculiar here). The plan was go with Uber. There was a change, and a friend’s friend took @mayowaekpo and I. What should have taken maybe 30minutes max, turned to two years in traffic.

 Nobody deemed it fit to tell us that no cars were going into Eko hotel; we were all just hoping; stuck in traffic. Having to walk so far, isn’t always my first option; for obvious reasons. Then I got into the hall, Olamide, why? I came in just as you were done with your first outing and I figured, he’ll be back. You came back ONCE, while I was there and you played CD. Olamide, CD??? I’m still too lost. CD… Like, ALL that for ‘DJ, track 2’.

 Wait first, collect your money from the sound people; BAD, BAD sound. Even Adekunle (God bless his heart) who did LIVE for us, they sha spoilt his sound. I, Adenike Oyetunde came to see You Olamide, LIVE, (it was a complimentary ticket, FYI), and you hounded me with Comedy. HOW??? How does that even work? Alibaba’s January 1st Concert is coming, I’ll get comedy there, WHY, did you succumb, Why? I thought you had it all figured out; but, awon aye sold this BAD idea to you. By the way, were you at Asa’s show? If not, PLEASE, Watch the CD.

 That’s what LIVE IN CONCERT is on about. I was TOO disappointed and I can’t hide it. Excellency is KEY. You had ONE year to plan. I honestly didn’t see ANY plan oh; at least, to me. Of course, I still danced, I screamed, I took videos; but, from last year; it could have been WAY better.

I will not comment on that uncle that was jumping arand with you!!! Give us what we ‘paid’ for Nigerian Artiste, PLEASE. People hustled to GET tickets.”

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